Second Hand and Ex-demo pre-owned pedals, effects, EQ, Preamps, Volume, Compressor, Wha :: EBS, BOSS, TC Electronic, APhex, BBE, Way huge, MXR, Creation audio, Darkglass, 3 leaf  :: Bass Direct :: For sale, UK, EU, Warwick


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Compressor, Preamp, EQ, Volume, Boost, Wha pedals

  1. £5 UK next week day courier service will be added to your order

  1. LR Baggs Stadium Di pedal - VGC, £175

  2. T-Rex Purist Preamp -Preamp, boxed, vgc -£99

  3. Nemphasis 02 - Preamp pedal, boxed, as new, ex display - £175

  4. Headway EDB1 - Preamp pedal, boxed VGC - £149

  5. Sadowsky SB- 1  Preamp pedal, boxed VGC - £150

  6. Diamond BCP-1 - Compressor, boxed VGC - £175

  7. Mesa Boogie Subway Di - VGC - £225

  8. Mesa Boogie Subway Di - VGC, boxed - £275

  9. TC electronic Spark Boost Mini - Boost pedal vgc - £30

  1. LSP Decimator pedal -Noise reduction pedal -£99

  2. Onkart Gromt - Turbo Tore Boost boxed, ex display, immaculate, £99

  3. TC Electronic Spark Booster mini pedal - VGC, £40

  4. Exotic SP Compressor Compressor, boxed, new stock £125 

  5. ART Tube MP Studio V3 preamp pedal - VGC, £59

  6. EWS BMC Preamp pedal - new stock, £99

  7. EBS Multicomp Compressor - VGC - £99

  1. Boss CEB 7- Compressor - VGC - £60

  2. Diamond Compressor (not boxed) VGC - compressor, boxed, VGC - £150

  3. EBS Multi Comp- Compressor - VGC - £100

  4. Tech 21 Dug Pinnock - immaculate, boxed- VGC - £325

  5. Boss LS-2 Line Selector - VGC - £60

  6. Boss FV-30H Volume Pedal - VGC - £65


Tel: 01926 886433


MESA Boogie Subway

MESA Boogie Subway boxed


The original Diamond Compressor has become one of our most well known products, loved by players for it’s smooth response and ability to enhance your instruments tone. Turns out that bass players have discovered the Compressor (many via it’s discussion on the TalkBass online forums) and while it generally works great for 4-string passive basses, the performance with 5/6 strings and high output active basses was less than ideal as the frequency response and headroom was optimized for guitar use.

Our response to that interest is the new dedicated Bass Comp, the first Diamond pedal designed specifically for bass players. With low frequency response extending down to 20Hz and increased headroom, the Bass Compressor is ideal for 4/5/6 string basses, both active and passive.

We’ve also revoiced the Tilt EQ control, offering bassists the choice of the original 900Hz tilt point or a new 250Hz setting, accessible via a mini toggle.

Download the Compressor user manual here.



-Smooth, optical compression/limiting
-Premium audio components, including 2% polypropylene capacitors,1% metal film resistors and a pro audio grade opamp (our signal path opamp alone costs 8 to 10 times 
what the industry norm uses).
– Innovative ’tilt’ EQ provides a very musical tailoring of frequency response – selectable 900Hz or 250Hz tilt point
– Dual AC capacitive coupling paths for improved
transient response.
– True bypass signal path
– 18V power supply not included

Brings pro-audio quality to acoustic instrument sound shaping.

With the compact Headway EDB-1 (Sheer Acoustic Equaliser Direct Blend) mega multi-purpose external pre-amplifier box you can completely shape your sound with a 5-band interactive EQ, switchable input impedance, and 3-way range switch. The preamp's controls offer acoustic guitar, bass, or violin settings—which cut unwanted low end tones below the useable frequency range of the instrument. This cuts body-handling noise, unwanted resonances, feedback, and violin bowing noise. Feedback and other resonance problems may be further tackled by a very effective, broad-ranging tunable notch filter and a phase reverse control.

The Headway EDB-1 preamp's inputs provide plenty of options for any amplification you use. Whether using a 1/4" jack, balanced stereo 1/4" jack, or XLR jack for a microphone, the EDB-1 has got you covered. Headway EDB-1 inputs include mono jack, stereo jack and XLR, through 2 channels. The inputs enable you to blend in an extra pickup, or microphone. You can plug into them with 1 or 2 standard mono jack leads, a jack lead plus an XLR, or a stereo jack lead. An unbalanced 1/4" jack would be related to the Channel 1 input. A balanced 1/4" jack relates to the stereo input (using channels 1 and 2), for an instrument using an internal mic and pickup, being blended internally. Channel 2 mic is an XLR input allowing you to use a microphone onstage, if your instrument does not have a pickup.

Each channel's input impedance switches allow you to optimize the voicing for any of the major pickup types, while a huge amount of extra levels can be applied via the gain controls and master volume.

Phantom power is also available to jack in and XLR inputs, making the unit friendly for use with quality condenser mics and Instruments wired with no battery inside instrument, but with active pickups needing powering.

The outputs use a balanced XLR out and a line out jack. If an earth loop is heard causing hum, you may kill it by pressing the earth lift switch. The two outputs also allow you to split the signal, such as between an acoustic combo amp for stage monitoring and an out front mixing desk.

The Headway EDB-1 preamp can be mounted on its rubber feet, carried with you on a belt clip.

Powering is via two 9v PP3 ( 6F22 ) batteries, or via plug-in DC Power supply.

Teisco Boost Pedal

  1. Onkart Gromt - Turbo Tore Boost

EWS BMC (Bass/Mid Control boost/cut)

TC Spark Boost Pedal