Tone Styler, Stellar Tone active/passive switching for bass guitar, passive eq, B 10 S, 11, 6 S, D6 , Volume, Pan controls., for sale, Uk, Eu, London, Birmingham, Manchester, UK, USA, EU for sale, on offer

 

Stellartone Tone Styler Passive Tone Control

Nordstrand | East | >Tone styler | Creation audio

Delano | Glockenklang | Aguilar | Bartolini | Darkglass


>Bass | Guitar

Bass Eleven - B 11         £119

Triple Six - T 6                 £75

Bass Ten - B 10              £99

Bass Six Short - B 6 S    £59 OUT OF STOCK

Bass Duo Six Short - B D6 S  £96

Bass Six - B 6                 £75

Bass Duo BD 6               £95

Tele-Jazz 1 BD6             £150

Tele-Jazz 4 B10             £120

Tele Jazz 4 T6               £100

All UK orders £4 shipping

For orders outside the UK ADD + £6 EU shipping





2017 Installation instructions - ToneStyler_installation_2017.pdf


Stellartone... the World's Best Tone Controls.


"Addictive... a great drop-in replacement for your old tone knob... a practical tool that enhanced the guitar's flexibility and sonic quality... the ToneStyler is the way to go. Gold award for overall value." - Guitar World Magazine

"The ToneStyler BASS will astound you with its purely analog, battery-free expanded tonal capabilities... the darker settings retained the note definition and punch that was lost with the original passive tone control."- JazzTimes Magazine

"I was knocked out by how natural sounding all the settings were... like turning one guitar into a variety of different brands, types, and models... a valuable tool for carving out sonic space in a live or recorded mix." - Premier Guitar Magazine

"The ToneStyler profoundly broadens the range of possible tones from a passive instrument... a noticeably more aggressive midrange punch... rich low tones ring more clearly... earning it a BASS PLAYER Editor Award." - Bass Player Magazine


About the ToneStyler... and why you need one!


The ToneStyler® is an advanced drop-in replacement for the standard tone pots in electric guitars and basses. Easily installed in minutes without any modifications to the instrument, the ToneStyler dramatically improves the tone and versatility of any guitar or bass with passive pickups. Plus, the ToneStyler fits your instrument's original tone knob, so your tone upgrade is invisible!

Your old tone pot is a "low-pass filter"; it has only one capacitor, which offers only one roll‑off point, chosen just above the bass frequencies and string fundamental pitches. Due to this very simple design, passive tone pots act as "mid+treble volume controls"... reducing the loudness of all combined harmonics heard above the bass tones, all at the same time! To make matters worse, the tone pot's large value capacitor loads the pickups at all tone knob settings, which reduces your mid-range clarity and signal level.

In sharp contrast, the revolutionary ToneStyler has not one, but an array of six to eleven selectable capacitors and roll-off points. For the first time, players can adjust the frequency of the roll-off point... not simply the combined loudness of all mids+highs! You choose how much treble to retain... how much mid-range to retain... and exactly where to cut these harmonics off. Plus, the ToneStyler's small value capacitors greatly reduce pickup loading; this noticeably boosts your guitar's clarity and output level.

Powerful and precise control of treble & mid frequencies is provided at last... and that weak, muddy sound is completely eliminated!



StellarTone

StellarTone introduces a unique concept in passive tone shaping with the StellarTone tonestyler's for bass and guitar. Designed and built in the US and utilising high quality Military Spec Rotary Switches with Gold Contacts and Terminals, low capacitance shielding, and a compact size the StellarTone tonestylers are a phenomenal product that builds on the high impedance passive analog tone characteristics of your current passive bass. These units for bass and guitar boast a quality analog designed circuit with zero noise, compression, distortion, or clipping of your signal and install cleanly in place of your current single capacitor tone control.

These new BASS and STANDARD ToneStylers are offered with either six or ten EQ positions, and either our original single circuit design, or our new & unique dual pickup circuit with dual shielded cables and dual EQ ranges, individually optimised for neck & bridge pickup harmonics.



  1. 1.

The tone of each pickup is governed by an individual ToneStyler / tone control. This option gives you greater flexibility with the tone setting of each pickup.
A combination of Bass 6 / 10 / 11 can be used.


When you’re on stage, you may need only a few different tones from your bass guitar, and want to change the sound rapidly while playing. In this case you may prefer the simplicity of a 6-position ToneStyler. For studio work or recording, however, you’d probably opt for the greater range and finer graduation of tones between bright and dark of a 10- or 11-position ToneStyler.  Incompatible with low-impedance, piezo  or active pickups. The shafts do not fit coarse (18-spline) push-on plastic knobs. Item Codes ending with “-S” have a short shaft for set-screw knobs. Check your bass guitar first, unless you’re willing to change its knobs and are sure the shaft is long enough.




100% pure analogue high-impedance high-Q passive tone circuitry, with zero noise, distortion, compression or clipping. Heavy-duty sealed military-spec rotary switch with gold contacts and terminals. Low-profile colour-coded solid-cast metallized polymer modules require only 15/16" (23.813mm) depth inside the instrument's control compartment. Compact cylindrical shape has the same 15/16" (23.813mm) diameter as a standard full-sized CTS potentiometer. ToneStylers provide an easy, drop-in replacement of any standard tone pot with a 3/8" (9.525mm) diameter USA bushing; no modifications or routing required. The moulded-in colour-coded low-capacitance shielded cable provides a quick, simple connection: Just solder the cable directly to the input lug of a pickup volume or a master volume pot. No bass schematics required; all other controls and wiring remain unchanged. Complete with mounting hardware and instructions. Wired by hand in USA.


Stellartone ToneStylers for Bass






Fender P-Bass / Two-knob 'Volume-Tone'



'Volume-Tone'

Choose a ToneStyler BASS TEN SHORT,BASS ELEVEN, or BASS ELEVEN LEFTY to replace your .047μF tone pot. [These ToneStylers go all the way down to .1μF]

Don't need any deep, sub-woofer tones? Choose a 'mid-range' ToneStyler GUITAR ELEVEN featuring a reduced .022μF EQ span.







Jazz Bass / Three-knob 'Volume-Volume-Tone'



'Volume-Volume-Tone'

Choose the ToneStyler BASS DUO SIX SHORT to replace your .047μF tone pot. This unique DUO control retains Fender's original 'Volume-Volume-Tone' operation.

Prefer a master plus a blend knob? Use one of our custom diagrams to convert to 'master volume-blend-tone'. Choose a ToneStyler BASS ELEVEN, BASS TEN SHORT, or BASS ELEVEN LEFTY with your new master volume & blend controls. [The BASS TEN and ELEVEN go all the way down to .1μF]

Don't need any deep, sub-woofer tones? Choose a 'mid-range' ToneStyler GUITAR DUO SIX... or a GUITAR ELEVEN plus the master volume conversion... featuring reduced .022μF EQ spans.





Thunderbird / Three-knob 'Volume-Volume-Tone'



'Volume-Volume-Tone'

Choose the ToneStyler BASS DUO SIX to replace your .047μF tone pot. This unique DUO control retains Gibson's original 'Volume-Volume-Tone' operation.

Prefer a master plus a blend knob? Use one of our custom diagrams to convert to 'master volume-blend-tone'. Choose a ToneStyler BASS ELEVEN or BASS ELEVEN LEFTY with your new master volume & blend controls. [The BASS TEN and ELEVEN go all the way down to .1μF]

Don't need any deep, sub-woofer tones? Choose a 'mid-range' ToneStyler GUITAR DUO SIX... or a GUITAR ELEVEN plus the master volume conversion... featuring reduced .022μF EQ spans.






Rickenbacker / Four-knob 'Volume-Tone-Volume-Tone'



'Volume-Tone-

Volume-Tone'

Choose one ToneStyler BASS TEN SHORT, BASS ELEVEN or BASS ELEVEN LEFTY to replace only one tone pot; choose two ToneStylers to replace both tone pots.

Don't need any deep, sub-woofer tones? Choose a 'mid-range' ToneStyler GUITAR ELEVEN, featuring a reduced .022μF EQ span.

Our recommendation for ultimate performance: a ToneStyler BASS for the neck pickup, plus a ToneStyler GUITAR for the bridge pickup!







New “Tele” Jazz Bass




Tele-Jazz V1 BD6             £150

Replaces Fender’s Jazz Bass assembly. “ Tele-Jazz” Version 1 BD6 features;

The stacked volume knobs function the same as the traditional separate volume knobs on Fender Jazz Basses: the small upper knob is the neck pickup's volume, and the lower ring knob is the bridge pickup's volume, Tone Styler Bass Duo 6 with .047uF and .022uF max cap ranges per pickup and the installers option of true bypass or tone pot loading circuits. The 4 way Telecaster switch provides instant pickup selection of: solo neck series, both series, both parallel, solo bridge. Best for high impedance pickups. Available with Gotoh Dome top metal knobs or classic Black Bakerlite Fender style knobs with chrome plate, or optional black plate.


Version 2: "Master Volume - Tone - ToneStyler" plus 4-way Telecaster pickup selector switch:

The stacked knobs provide two controls in the space of one. The small upper knob is the master volume, and the the lower ring knob is a traditional master tone knob. This arrangement is similar to the stacked volume/tone knobs introduced in 1960 in Fender's first J-Bass. The third ToneStyler knob can be used independently, or concurrently with the standard tone control.

The 4-way pickup selector switch allows instant changes between the soloed neck pickup, both in series, both in parallel, and the soloed bridge pickup.

The "Tele-Jazz" version 2 assembly may be configured with either a ToneStyler BASS TEN or a TRIPLE SIX.


Version 3: "Master Volume - Tone Depth - ToneStyler" plus 4-way Telecaster pickup selector switch:

The stacked knobs provide two controls in the space of one. The small upper knob is the master volume, and the the lower ring knob is a custom "tone depth" knob. This arrangement is similar to the stacked volume/tone knobs introduced in 1960 in Fender's first J-Bass... except in version 3, the "tone depth" ring knob affects all ToneStyler EQ positions, instead of affecting only one fixed tone cap, as in version 2.

The 4-way pickup selector switch allows instant changes between the soloed neck pickup, both in series, both in parallel, and the soloed bridge pickup.

The "Tele-Jazz" version 3 assembly may be configured with either a ToneStyler BASS TEN or a TRIPLE SIX.



Tele-Jazz V4 B10             £120

Replaces Fender’s Jazz Bass assembly. “ Tele-Jazz” Version 4 B210 features;

Master volume knob, Tone Styler Bass Ten with .100uF max cap range, true bypass and a “virtual” tone pot loading circuit. The 4 way Telecaster switch provides instant pickup selection of: solo neck series, both series, both parallel, solo bridge. Best for high impedance pickups. Available with Gotoh Dome top metal knobs or classic Black Bakerlite Fender style knobs with chrome plate, or optional black plate.




Tele Jazz V4 T6               £100

Replaces Fender’s Jazz Bass assembly. “ Tele-Jazz” Version 1 T6 features;

Master volume knob, Tone Styler Triple SIx with installers choice of either .022uF, .046uF or a .069uF max cap range and a true bypass or tone pot loading circuit option. The 4 way Telecaster switch provides instant pickup selection of: solo neck series, both series, both parallel, solo bridge. Best for high impedance pickups. Available with Gotoh Dome top metal knobs or classic Black Bakerlite Fender style knobs with chrome plate, or optional black plate.







Tele-Jazz Bass control assemblies

Stellartone's new "Tele-Jazz" control assemblies for the Fender J-Bass and clones offer premium-quality drop-in upgrades for the original J-Bass control plates, controls, and wiring plans. Four control plans are available either pre-wired or in kits, with a choice of knob styles and finishes. A "Tele-Jazz" upgrade will greatly expand the tonal range and versatility of your J-Bass, without any modifications or fitting required. Stellartone's 100% passive hi-Z analog circuitry increases clarity and versatility, without adding any noise, hiss, distortion, clipping, limiting, or compression. No batteries! Hand-made in the U.S.A.


Version 1: "Volume - Volume - ToneStyler" plus 4-way Telecaster pickup selector switch:

The stacked volume knobs function the same as the traditional separate volume knobs on Fender Jazz Basses: the small upper knob is the neck pickup's volume, and the lower ring knob is the bridge pickup's volume.

The 4-way pickup selector switch allows instant changes between the soloed neck pickup, both in series, both in parallel, and the soloed bridge pickup. Each pickup's loudness and your favorite blends are pre-set using the stacked volume knobs. In series mode, the small upper knob becomes the master volume.

The ToneStyler BASS DUO SIX controls each pickup independently via contrasting EQ ranges for each pickup. In ToneStyler switch positions #1 - #5, the neck pickup's rolloff frequency begins about one octave lower than the bridge pickup's rolloff frequency. This voicing difference allows equal pickup loudness in each switch position.

The "Tele-Jazz" version 1 assembly must be configured with a ToneStyler BASS DUO SIX.


Version 2: "Master Volume - Tone - ToneStyler" plus 4-way Telecaster pickup selector switch:

The stacked knobs provide two controls in the space of one. The small upper knob is the master volume, and the the lower ring knob is a traditional master tone knob. This arrangement is similar to the stacked volume/tone knobs introduced in 1960 in Fender's first J-Bass. The third ToneStyler knob can be used independently, or concurrently with the standard tone control.

The 4-way pickup selector switch allows instant changes between the soloed neck pickup, both in series, both in parallel, and the soloed bridge pickup.

The "Tele-Jazz" version 2 assembly may be configured with either a ToneStyler BASS TEN or a TRIPLE SIX.


Version 3: "Master Volume - Tone Depth - ToneStyler" plus 4-way Telecaster pickup selector switch:

The stacked knobs provide two controls in the space of one. The small upper knob is the master volume, and the the lower ring knob is a custom "tone depth" knob. This arrangement is similar to the stacked volume/tone knobs introduced in 1960 in Fender's first J-Bass... except in version 3, the "tone depth" ring knob affects all ToneStyler EQ positions, instead of affecting only one fixed tone cap, as in version 2.

The 4-way pickup selector switch allows instant changes between the soloed neck pickup, both in series, both in parallel, and the soloed bridge pickup.

The "Tele-Jazz" version 3 assembly may be configured with either a ToneStyler BASS TEN or a TRIPLE SIX.


Version 4: "Master Volume - ToneStyler" plus 4-way Telecaster pickup selector switch:

This simplified control plan is optimized for live performance uses. Pickup blending and separate volume controls have been eliminated via non-stacked master volume and master ToneStyler knobs, controlling the four most-distinctive and useful pickup selections.

The 4-way pickup selector switch allows instant changes between the soloed neck pickup, both in series, both in parallel, and the soloed bridge pickup.

The "Tele-Jazz" version 4 assembly may be configured with either a ToneStyler BASS TEN or a TRIPLE SIX.



New Triple Six

 The TRIPLE SIX is a six-position multi-use control, offering players the choice between three maximum capacitance ranges during installation. Starting from TRUE BYPASS (clockwise), choose .022µF GUITAR, .047µF BASS, or .069µF SUB-BASS as your maximum (counter-clockwise) EQ range when connecting our multi-wire shielded cable. Swap your tone pot with a ToneStyler TRIPLE SIX, listen to all three options... then decide how deep or how warm to configure your tone range.















Stellartone Bass Ten



The Stellartone Bass Ten is a Ten-Position High-Impedance passive tone shaping circuit with zero noise, distortion, compression or clipping.

The Bass Ten offers ten discrete tone settings with the tenth setting as a flat-bypass. The maximum capacitance is 0.1µF

The Bass Ten is recommended for pickguard/plate mounted controls on single pickup, two pickup instruments that utilize the correct type of no load blend control , or instruments with two tone controls.

Blend Control Available Here

Features

The Bass Ten features:

  1. 1Heavy-Duty Mil-Spec Rotary switches with Gold Contacts and Terminals (Mfg. by Grayhill)

  2. 21/4" Solid "D" Shaft

  3. 3U.S. Standard 3/8"-32 Diameter x 1/2”"  MID Length

  4. 4Traditional Notched Design

  5. 5Compact 15/16" Diameter (Same size as Full-Size CTS Pot)

  6. 6Low Profile (Only Requires 7/8" Depth for Installation)

  7. 7Molded-in Low Capacitance Shielded Mogami Cable

  8. 8High-impedance passive analog tone circuitry with zero noise, distortion, compression or clipping

  9. 9Mounting Hardware and Wiring Instructions



Stellartone Bass Six Short


Standard Duo Six Short

Features Six-position capacitance array range: true bypass to .022uF

Intended for electric guitars with dual volumes and one master tone, such as Gibson Flying V and most Gretsch models, see Standard Duo Six

These units are intended to fit models with control plate, scratch plate, or pick guard control mounting that utilize 1/4"set screw knobs.

Features

The all new Standard Duo-Six features:

  1. 1Heavy-duty mil-spec rotary switches with gold contacts and terminals,made in the U.S.A. by Grayhill, Inc.

  2. 21/4" solid "D" shaft (with a flat for ease in indexing set-screw knobs)

  3. 3U.S. Standard 3/8"-32 diameter x 5/16" Mid-Length bushings, for mounting through instrument surfaces no thicker than 3/16"

  4. 4The traditional and popular "notched rotation" mechanical design

  5. 5New compact cylindrical shape has the same 15/16" diameter as a standard full-sized CTS potentiometer

  6. 6Low-profile solid-cast metalized epoxy module requires only 7/8" depth in the control compartment

  7. 7Molded-in low capacitance shielded cable by Mogami

  8. 8High-impedance passive analog tone circuitry with zero noise, distortion, compression or clipping

  9. 9Complete with mounting hardware and instructions

  10. 10100% hand-wired and manufactured in the U.S.A. by Stellartone



T-6

Stellartone ToneStyler TRIPLE SIX | Model T-6 | Six positions, notched

rotation | 24-fine-spline multi-use tip fits USA push-on knobs, plus 6mm &

1/4" set-screw knobs | * Does NOT FIT Epiphone 18-coarse-spline metric

push-on knobs * | 3/8"-32 diameter x 1/2" MID-length USA bushing mounts

through all surfaces up to 3/8" thick | 10" shielded cable and mounting

hardware | True Bypass | Three installer-selectable maximum capacitance

ranges: .022uF guitar / .047uF bass / .069uF sub-bass | For

high-impedance passive guitars & basses


Bass 11 ─ B-11

(Left-Handed) ─ B-11-LH



The Stellartone Bass Eleven is a Eleven-Position High-Impedance passive tone shaping circuit with zero noise, distortion, compression or clipping.

The Bass Eleven offers eleven discrete tone settings with the tenth setting as a "true bypass" no-load. The maximum capacitance is 0.1µF

The Bass Eleven is recommended for single pickup instruments, two pickup instruments that utilize the correct type of no load blend control , or instruments with two tone controls that have controls mounted through the body.

Blend Control Available Here

Features

The Bass Eleven features:

  1. 1Heavy-Duty Mil-Spec Rotary switches with Gold Contacts and Terminals (Mfg. by Grayhill)

  2. 20.235" Solid Splined shaft. Fits USA 24-Spline Push-On Knobs(Gibon®), 1/4" Set Screw knobs, or 6mm Knobs.

  3. 3U.S. Standard 3/8"-32 Diameter x 1/2" Mid-Length Bushing.

  4. 4Traditional Notched Design

  5. 5Compact 15/16" Diameter (Same size as Full-Size CTS Pot)

  6. 6Low Profile (Only Requires 7/8" Depth for Installation)

  7. 7Molded-in Low Capacitance Shielded Mogami Cable

  8. 8High-impedance passive analog tone circuitry with zero noise, distortion, compression or clipping

  9. 9Mounting Hardware and Wiring Instructions





Bass 6 ─ B-6-S


6-position rotary switch with 6 discrete tone circuits. Max capacitance .047µF. Flat bypass sonically duplicates a standard  bass tone pot set to full clockwise. 30° detents. 1/4" (6.35mm) solid shaft with a "D" flat for secure mounting and non-slip "clocking" of a 1/4" (6.35mm) set-screw knob. 3/8"(9.525mm)-diameter (32tpi) x 5/16" (7.938mm) SHORT-length bushing for mounting through 3/8" (9.525mm) holes in plates, pick-guards and surfaces up to 3/16" (4.763mm) thick.






Bass Duo 6 ─ B-D6-S

Bass Duo Six Short


Dual six-position capacitance array ranges.True bypass to .022uF (for bridge pickup), and true 250k bypass to .047uF (for neck pickup) Dual molded-in low capacitance shielded cables by Mogami For electric basses with two volumes and one tone, such as Fender Jazz Bass and Gibson Thunderbird Bass

These units are intended to fit models with through body installation that require larger bushing length.

Features

The all new Bass Duo Six Short features:

  1. 1Heavy-duty mil-spec rotary switches with gold contacts and terminals,made in the U.S.A. by Grayhill, Inc.

  2. 2U.S 24-Spline solid shaft for most push on and set screw knobs.

  3. 3U.S. Standard 3/8"-32 diameter x 1/2"Mid-Length bushings, for mounting on through body controls.

  4. 4The traditional and popular "notched rotation" mechanical design

  5. 5New compact cylindrical shape has the same 15/16" diameter as a standard full-sized CTS potentiometer

  6. 6Low-profile solid-cast metalized epoxy module requires only 7/8" depth in the control compartment

  7. 7Molded-in low capacitance shielded cable by Mogami

  8. 8High-impedance passive analog tone circuitry with zero noise, distortion, compression or clipping

  9. 9Complete with mounting hardware and instructions

  10. 10100% hand-wired and manufactured in the U.S.A. by Stellartone

These units will fit instruments including Gibson Style (hard acrylic with 24-Spline hole) push on Speed, Bell, Top Hat, and Bonnet Style knobs, all brands of Fender style (hard plastic with smooth hole) push on Strat knobs, and all brands of set screw knobs with 1/4"or 6mm holes. Fits BC Rich, Breedlove, Brian May Guitars, Charvel, Cort, Daisy Rock, Danelectro, Dean, DiPinto, Epiphone, ESP, EVH, Fano, Fender, Fernandez, G&L, Gibson, Godin, Gretsch, Guild, Hagstrom, Ibanez, Jackson, Jay Turser, Koll, Kramer, MusicMan, Normandy, Parker, Peavey, PRS, Rickenbacker, Schecter, Squier, Steinberger, Taylor, Vox, Washburn, Yamaha, and many other fine guitars that use 24-Spline push on knobs, or 6mm or 1/4"set screw knobs.





Bass Duo 6 ─ B-D6

Bass Duo Six


Dual six-position capacitance array ranges.True bypass to .022uF (for bridge pickup), and true 250k bypass to .047uF (for neck pickup) Dual molded-in low capacitance shielded cables by Mogami For electric basses with two volumes and one tone, such as Fender Jazz Bass and Gibson Thunderbird Bass

These units are intended to fit models with through body installation that require larger bushing length.

Features

The all new Bass Duo Six Short features:

  1. 1Heavy-duty mil-spec rotary switches with gold contacts and terminals,made in the U.S.A. by Grayhill, Inc.

  2. 2U.S 24-Spline solid shaft for most push on and set screw knobs.

  3. 3U.S. Standard 3/8"-32 diameter x 1/2"Mid-Length bushings, for mounting on through body controls.

  4. 4The traditional and popular "notched rotation" mechanical design

  5. 5New compact cylindrical shape has the same 15/16" diameter as a standard full-sized CTS potentiometer

  6. 6Low-profile solid-cast metalized epoxy module requires only 7/8" depth in the control compartment

  7. 7Molded-in low capacitance shielded cable by Mogami

  8. 8High-impedance passive analog tone circuitry with zero noise, distortion, compression or clipping

  9. 9Complete with mounting hardware and instructions

  10. 10100% hand-wired and manufactured in the U.S.A. by Stellartone

These units will fit instruments including Gibson Style (hard acrylic with 24-Spline hole) push on Speed, Bell, Top Hat, and Bonnet Style knobs, all brands of Fender style (hard plastic with smooth hole) push on Strat knobs, and all brands of set screw knobs with 1/4"or 6mm holes. Fits BC Rich, Breedlove, Brian May Guitars, Charvel, Cort, Daisy Rock, Danelectro, Dean, DiPinto, Epiphone, ESP, EVH, Fano, Fender, Fernandez, G&L, Gibson, Godin, Gretsch, Guild, Hagstrom, Ibanez, Jackson, Jay Turser, Koll, Kramer, MusicMan, Normandy, Parker, Peavey, PRS, Rickenbacker, Schecter, Squier, Steinberger, Taylor, Vox, Washburn, Yamaha, and many other fine guitars that use 24-Spline push on knobs, or 6mm or 1/4"set screw knobs.



If your electric bass guitar has two pickups and two tone controls, you can choose either of two ToneStyler options:


  1. 1.A single Bass Duo 6 ─ B-D6-S
    The tone of both pickups is governed by one tone knob, freeing the second knob for any other use. This option gives your bass guitar a greater overall range of resonance, because the bridge pickup’s tone circuits have a higher resonance range than the neck pickup’s.

  2. 2.One or two Bass 6 ─ B-6-S / Bass 10 ─ B-10-S / Bass 11 ─ B-11
    The tone of each pickup is governed by an individual ToneStyler / tone control. This option gives you greater flexibility with the tone setting of each pickup. A combination of Bass 6 / Bass 10 / Bass 11 can be used.







 

Tel: 01926 886433